The Final Shoots of 2024 -Joey Darke (the very last)

Once Brennan left, I started setting up the studio for my shoot with Joey. I replaced the Christmas backdrop with the new winter scene I had purchased, added the snow blankets to the floor, sprinkled a few more random snowflakes on the blankets, and got the next set of outfits ready for Joey.

Unfortunately, when I plugged my handheld steamer in to steam the wrinkles out of the new backdrop, I tripped the breaker to the studio again. That took a few minutes to sort out, but with Floofie's help, I was soon back in business.

Due to a miscommunication about the location of the shoot, Joey was running a bit late (entirely my fault), so I had plenty of time to move the unused gear and costumes to my car and grab some water to hydrate. So, I was ready to go when Joey arrived.

Joey is another model with whom I've worked many, many times. If you've read about her from my previous post, then you know she's a happy-go-lucky and free-spirited person who is always a joy to shoot. She brings a happy energy to our sessions and never disappoints. She's a nature spirit who is as comfortable naked in the woods as she is in the studio. In fact, I think she prefers to be naked in nature.

Our shoot was delightful, as always, and Joey had a great deal of fun with all the outfits. I think, however, she had far more fun with the fake snowflakes I brought for the shoot. I think we went through three or four handfuls during our session. She enjoyed so much that I gave her a pack to take with her after our shoot ended.

And so, I'm done for 2024. At the moment, I have only one shoot scheduled for 2025. Floofie and I have plans to go play in the snow in January. I have a couple of other concepts in the planning stages, one of which I'd like to shoot before Valentine's Day, and another which will require body stockings and sheer fabric. We will see what the New Year will bring, but I hope it brings you all, dear readers, a prosperous and happy year to come.

The Last Shoots of 2024 - Brennen and Joey (Brennen First)

After my last shoot with Nancy, I moved my lights to the back of the studio, packed my gear, and took a week-long break from shooting. I did a bit of editing, evaluated what I had recently shot, and ordered a new background. I also broke out a few more outfits for my next couple of shoots, prepped shoot plans, charged batteries, formatted storage cards, and printed the necessary model releases. 

When shoot day arrived, I packed my gear and headed to the studio. Floofie had informed me that she would be shooting that morning, and she was wrapping up her shoot when I arrived. The Christmas background still hung as Floofie was using it for her remote shoot, so it took very little time to set up for the first model on my agenda, Brennan. 

Now, if you know Bree, you know that she is hilariously outspoken, brash, and brooks no nonsense. She's a very experienced model with a heart of pure gold. I try to shoot with her whenever she's in Portland. I don't always get the chance, but I've shot with her enough that we work very well together, so we got right to it.

I had a plethora of outfits to shoot with her, and she even brought a few of her own. Because we've shot so often, we actually ran through the outfits pretty quickly and finished our shoot a bit early. Bree kept a running conversation going throughout the shoot as is her wont, and I really enjoyed catching up with her. She had a shopping trip planned with Floofie, so when we finished she headed off to see her, while I swapped out the background with the new one for my next shoot with Joey. 

The lighting setup for all my shoots this month was similar. My normal lighting setup is a beauty dish with a diffuser sock as a key light and a 60-inch umbrella as a fill light set about a stop lower than the key. I usually add a hair or rim light on a high stand to separate the model from the background. Sometimes I'll use my Newwer LED panels for lighting, but only to supplement the ambient light from windows. 

For all the shoots in December, I decided to go with much softer light to better emulate the weaker winter sun. For this setup, I used a 60-inch octobox with an interior panel as a key light, a 30x60-inch softbox for fill, and a 10x36-inch strip box on a high boom for a rim light. You can decide for yourself if the lighting worked or not. 

Nancy - Xmas Pinup Time

 

My last shoot for this week featured Nancy W., @ndu1 on Instagram, in a Christmas pinup theme. For this shoot, I purchased a backdrop I thought would go well in the studio. Now, I normally shoot my Xmas Pinups in front of the beautiful tree my wife decorates with a different theme each year. However, as I mentioned in a previous post, her adoption of an energetic (and zoomie) kitten meant no tree this year. The backdrop gave me an option to use the studio instead. 

I picked Nancy up from her hotel on my way to the studio. The lights and backdrop were set up from the day before, so we had a quick start to our shoot. I chose a few different outfits for Nancy since the theme changed to purely Christmas rather than Winter Pinups, and we had fun with all the variations. Of course, shooting with Nancy always means fun. 

I think the background worked well for the theme. In fact, Floofie liked it well enough that she asked me to leave it up so she could use it for a couple of her own shoots. I also noticed that at least one other photographer used it in one of his shoots. Nancy certainly loved it. 

If you ever worked with Nancy, you know that she brings a joyful energy to her shoots. That energy was perfect for this theme. She rocked the outfits and her smile made the theme complete. 

Afterward, I put the lights away for another day and Nancy helped me carry my extra gear to the car. On our way back to her hotel, we stopped for lunch at a local pub where we enjoyed cheeseburgers and we chatted for a bit. 

Nancy had another shoot that evening so we didn't linger after finishing our meal. While we talk during our shoots, it was good to have time to chat and learn more about each other outside of the studio. I'm sure I'll be working with Nancy again in the near future.